Neumann KM 140 - " Between 84 and 184"
translatedThe KM 100 is "small microphones" static equipped with active capsules (AK) There are currently seven different models of AK for all uses (see the site Neumann). Mechanically, the capsules are qu…
Neumann KM 85 - studiodhorlebaix's review
translatedThe 85 km is a condenser microphone whose appearance is identical to that of the 83 or 84. There are normal version (din) or version "i" (for international) with an XLR output. This configuration giv…
Neumann KM 76 - U-FLYstudio's review
translated- MODL original, the lamp is followed by KM56 1966 KM 76 in the Dyn 3-pin power supply T12V that a year later is dclin in KM 86 (P48V dyn), and its output is then transformed XLR and the devriendra K…
Neumann KM 83 - U-FLYstudio's review
translatedMicro marketed in 1966, the same year as his version alim Tonada T12V KM73, KM 83 is a condenser microphone output transformer, with a directivity omni-10db att it uses a KK63 capsule HRIT the la…
Neumann KM 140 - theone's review
translatedInterchangeable condenser microphone capsules, the head "40" is cardio. Purpose. attnuateur-10dB in the body "100". cpasules there are "30" omni and "50" hypercardio. OVERALL OPINION 10 years of …
Neumann KM 86i - Bernard Ancèze's review
translatedNeumann is the great class. Quite similar to the KM84, a serious easiest, and the medium rather acute KM83 (omni). What we can do with these 2 mics + the lead vocal. A lower level of output, but an i…
Neumann KM 86 - studiodhorlebaix's review
translatedThe KM86 is a condenser microphone. He has two caps 84. Allowing it to offer in Torah all types of directivity. Here, the manufacturer allows us to virtually have three. (Guess which one ...) As us…
Neumann KM 74 - U-FLYstudio's review
translatedNeumann started production of its first micro-small caps in 1953, the KM54 with a tube output stage (AC701), it evolves in 1964, KM64 capsule and changes, it moves from the KK54 KK64 that will not ch…
Neumann KM 184 - frbaro's review
translatedI use this microphone as the capture of cello, violin and also head over studio / stage. For acoustic guitar I prefer a couple of AB U87 or C414 with Drawmer 1969. As someone said in an earlier opi…
Neumann KM 184 - earz's review
translatedsee construsteur OVERALL OPINION It is a good microphone to do anything that proves Excellent live if there is a good preamp behind. It is solid. It may seem a bit expensive but no need to fiddle…
Neumann KM 184 Stereo set - SampleHunter's review
translatedSmall-diaphragm condenser microphone with cardioid. Modern electronic circuit and perfectly mastered and therefore a terribly low level of noise. It is a standard, a microphone all do, small and l…
Neumann KM 184 Stereo set - dfms's review
translatedSet stereo microphones Neuman dynamic stick format. Cardioid condenser microphones, used for a large number of outlets including: - Overhead drums, percussion, vibration ... - Snare, Charley - Vo…
Neumann KM 184 Stereo set - " A value very, very sour"
translatedJacks Stereo and mono static small membrane OVERALL OPINION Perfect for acoustic taken (Gtr, violin, percussion, OH ,...) I own several pairs of microphones large membranes (TLM 127, C-414, N…
Neumann KM 84 - "Great High-end SDC mic!"
This is a recording microphone that is mainly suited for use in the recording studio, as it is a relatively fragile piece of gear and shouldn't be trifled with. Though I'm sure they'd be great for li…
Neumann KM 100 - "Great Room, Space Mics"
This is not an electret microphone, as it is categorized on this website. It is in fact a small diaphragm condenser mic designed by Neumann. It is a small, tiny microphone that is great for picking u…
