The ultimate guide to audio recording - Part 41
LearningThis week we'll take yet another brief detour from recording in itself to discuss layering. While this production technique is usually reserved to the mixing stage, I nevertheless decided to talk abo…
A guide to mixing music - Part 137
LearningNow that we've covered the more or less theoretical aspects regarding the choice of plug-ins you should make, the time has come to tackle the issue in a more practical way. Today's installment is mea…
The ultimate guide to audio recording - Part 40
LearningToday's article will be the last one dedicated to the Stereo Room recordings. This time we'll discuss more convoluted techniques.
A guide to mixing music - Part 136
LearningLast week we discussed the benefits of limiting the number of processing tools at your disposal so you can focus better on the mixing itself. Today I'll try to give you some guidelines for you to cho…
The ultimate guide to audio recording - Part 39
LearningIn this episode we will look into a new method to record the Stereo Room tracks, as well as one of its numerous variants, which, in my opinion, is particularly interesting.
A guide to mixing music - Part 135
LearningAfter all we've been through, I can't find it in me to simply tell you to stop just like that, even though our journey into the world of mixing has certainly reached its final destination. Hence, in …
The ultimate guide to audio recording - Part 38
LearningSecond installment on the Stereo Room tracks within the chapter dedicated to recording drums. After having looked into the whys, today we'll discuss the hows of recording the Stereo Room mics.
A guide to mixing music - Part 134
LearningLast week we started discussing the importance of exporting alternative mixes starting with the basic ones you need, namely Vocal Up, Vocal Down, Instrumental, and A Capella. Today I will take it eve…
Billy Bush on engineering for Garbage, working with Rick Rubin and lots more
LearningAlthough he wasn’t formally trained in engineering, producer/engineer Billy Bush learned to record and mix from two of the best, Butch Vig of Garbage, and legendary producer Rick Rubin. Bush, who has…
The ultimate guide to audio recording - Part 37
LearningThis time we'll discuss the commonly called Stereo Room mics. This topic will take us quite some time because, personally, I think it's crucial.
A guide to mixing music - Part 133
LearningNow that we've seen how to optimally make the final export of your mix, we can discuss a point often neglected by beginners: alternative exports.
The ultimate guide to audio recording - Part 36
LearningToday we'll continue exploring the close-miking of additional drum kit elements that aren't necessarily indispensable, like the toms.
A guide to mixing music - Part 132
LearningDear friends, believe it or not, our epic saga through the wonders of mixing is slowly approaching its end. Nevertheless, before we get to the final stop we still have to look into some details, star…
The ultimate guide to audio recording - Part 35
LearningToday, we will continue the chapter dedicated to drums recording considering other close miked elements that aren't necessarily indispensable... It depends on the situation, as you will see. We'll be…
A guide to mixing music - Part 131
LearningToday I'll try to answer a question seldom addressed on the web, but which nevertheless is crucial: how to know when to call it quits...?
The ultimate guide to audio recording - Part 34
LearningLast installment of our brief detour from the recording drums articles. Should you think about the drums from the listener's or the drummer's perspective? Keep on reading to find the answer...
A guide to mixing music - Part 130
LearningIn this installment I suggest yet another way to analyze your mix through the ears of other people. The principle this time is very simple: letting a bunch of people listen to your mix without them b…
The ultimate guide to audio recording - Part 33
LearningToday I'd like to discuss with you something that goes beyond drums recording strictly speaking. Actually, what we'll see has probably more to do with the mixdown stage, but I think it's nevertheless…
A guide to mixing music - Part 129
LearningLast week we saw a listening method involving someone else, whose opinion we intentionally ignored. As useful as that approach might be, it doesn't spare you from having to actually consider the rema…
An interview with renowned mastering engineer Greg Calbi
Interview / PodcastGreg Calbi has had quite a run as a mastering engineer—43 years, to be precise—and he's still going strong. He’s mastered over 8,000 albums during that time, many of them classics.
An interview with renowned mastering engineer, Greg Calbi
Hot newsGreg Calbi has had quite a run as a mastering engineer—43 years, to be precise—and he's still going strong. He’s mastered over 8,000 albums during that time, many of them classics.
The ultimate guide to audio recording - Part 32
LearningThis time I invite you to review the current state of your drums recordings. And I'll begin with a consideration that goes beyond the instrument at hand...
A guide to mixing music - Part 128
LearningJudging a mix objectively can be one of the hardest things ever. After all those hours working with a mix, it can be really hard to take a step back and judge it rightfully. And even more so for the …
The ultimate guide to audio recording - Part 31
LearningIn this new installment dedicated to drums recording I will reveal a technique that will allow you to spare one mic and one track when close miking the kick and snare.
A guide to mixing music - Part 127
LearningThe home studio environment is usually pretty far from the ideal conditions of a commercial studio, so it's strongly advised to check your mixes outside of your work space. With that in mind, today's…
