Getting Started feature articles
Synthetic scales from tetrachords of altered modes - Pa… - Harmony Basics - Part 66
After having reviewed in our last article the synthetic scales resulting from the taking apart of natural modes and the redistribution of their tetrachords, let's see what you get when you do the same with altered modes.
Headphone mix for the singer - Part 2 - The ultimate guide to audio recording - Part 97
Last week I mentioned the preposterous idea of using a speaker instead of headphones to send the cue mix to the singer. This obviously entails the mic picking up a lot of bleed, however as I implied back then, you can minimize this horrible crosstalk to make it acceptable. Lets see how...!
Synthetic scales from natural modes - Harmony Basics - Part 65
In the previous article I introduced synthetic scales, which made us dig up an element of scales and modes which we had already touched upon before: tetrachords. So before we move on I think it's important to highlight the interest of splitting scales and modes into tetrachords and then put them back together.
Headphone mix for the singer - Part 1 - The ultimate guide to audio recording - Part 96
Today's article could've been easily included in the previous section because we are once again dealing with the comfort of the singer. However, I decided to make it part of a new, much larger section dedicated to the handling of headphone mixes when recording vocals. Let's go!
Synthetic scales - Harmony Basics - Part 64
Last time I told you we would discover a couple of somewhat particular scales: the harmonic major and double harmonic major scales. But they belong to a larger group called synthetic scales, which I think we should discuss before we move into these two specific cases.
The comfort of the performer - Part 3 - The ultimate guide to audio recording - Part 95
Third and final installment of the chapter dedicated to the comfort of the singer during vocal recordings. Today, for the first time, we will discuss the gear used. However, before looking at it from a technical point of view, I think it's better to linger a bit on the practical side of things from the viewpoint of the performer, so that he/she ca…
The comfort of the performer - Part 2 - The ultimate guide to audio recording - Part 94
Second part of the chapter dedicated to the comfort of the singer when recording vocals. After discussing the place last week, today you'll see some really nice tricks that will allow the singer to feel more at home easily.
The comfort of the performer - Part 1 - The ultimate guide to audio recording - Part 93
In the previous article I mentioned the famous "comfort zone" of the singer. In the coming weeks we'll look into the material conditions around a vocal recording which are susceptible of helping the performer in creating this comfort bubble. And when I say material conditions I'm not talking about gear but rather to the physical environment in whi…
Singing or the art of performance - Part 4 - The ultimate guide to audio recording - Part 92
To finish with the performance question, today we'll discuss a somewhat particular topic which was inspired by a comment posted in the French forum by ex-Moderator in Chief, Will Zégal, in response to a previous article
The return of the return of the pedal - Harmony Basics - Part 60
Dear friends, do allow me to open a brief parenthesis in our harmony series with this article.