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Nichtoune
Published on 05/11/09 at 00:15
I use it for the month of September 2008 for the purchase of a Musicman Petrucci
I knew the microphone thanks to superb solos from John Petrucci and I immediately hung his sonoritsa pchues both incisors and the rhythmic, and instead trs prcises solo I put a lot of comments saying that it is a micro personalis cold and I think it's absolutely false.
You with this microphone the sound of the 90-2000, a rsolument its modern, clean, burr-free, for this, we must understand that it does not roar like some seymour duncan or even a tone zone, but strength of the micro RSID vritablement in its precision, mounted on a good guitar, you have the feeling of having total control over your sound.
It has a microphone that the class could be said.
I quite like the sound it makes plain, fairly neutral, but it is true nanmoins trs good, what makes great reverb type effects, delay, chorus ... (on the petrucci can also mix with the sound of the piezo!)
Splitt it sounds exactly like Jason Becker Air (in the case tt musicman)
Its specially distortion remains my view that the micro o shows why he does Designed.
I use a Marshall MG 100DFX and a Framus Cobra Framus cabinet with (G12)
Dej and the transistor is not ridiculous, we just want to plug it into a tube amp.
Branch Chres our little heads, the microphone is really wonderful, it dcrasse amps and ears! Banez has over my RG 2550 with micro Dimarzio / IBZ is the day and night.
D-Sonic is powerful, sharp, roaring, while remaining trs trs prcis, it is a good delay and a good reverb and voila you have a John Petrucci = pure but In- Your Face.
Any takers, next opinion on the Tone Zone, the HS2 and the PAF Pro
I knew the microphone thanks to superb solos from John Petrucci and I immediately hung his sonoritsa pchues both incisors and the rhythmic, and instead trs prcises solo I put a lot of comments saying that it is a micro personalis cold and I think it's absolutely false.
You with this microphone the sound of the 90-2000, a rsolument its modern, clean, burr-free, for this, we must understand that it does not roar like some seymour duncan or even a tone zone, but strength of the micro RSID vritablement in its precision, mounted on a good guitar, you have the feeling of having total control over your sound.
It has a microphone that the class could be said.
I quite like the sound it makes plain, fairly neutral, but it is true nanmoins trs good, what makes great reverb type effects, delay, chorus ... (on the petrucci can also mix with the sound of the piezo!)
Splitt it sounds exactly like Jason Becker Air (in the case tt musicman)
Its specially distortion remains my view that the micro o shows why he does Designed.
I use a Marshall MG 100DFX and a Framus Cobra Framus cabinet with (G12)
Dej and the transistor is not ridiculous, we just want to plug it into a tube amp.
Branch Chres our little heads, the microphone is really wonderful, it dcrasse amps and ears! Banez has over my RG 2550 with micro Dimarzio / IBZ is the day and night.
D-Sonic is powerful, sharp, roaring, while remaining trs trs prcis, it is a good delay and a good reverb and voila you have a John Petrucci = pure but In- Your Face.
Any takers, next opinion on the Tone Zone, the HS2 and the PAF Pro