Behringer C-2 - "Good for live applications, unpretentious"
OVERALL OPINION Frankly, a good CAM product. There are obviously better, but much more expensive ones. It's the second Behringer product I like. Yes, okay, there have been tons that I haven't li…
Behringer XM8500 - "Couldn't resist"
The Behringer Ultravoice XM8500 dynamic microphone is the perfect addition to anyones gear arsenal. I will admit, you aren't going to use this mic for vocals in the studio. Don't let that discourage …
MXL V250 - "Great Mic, Even Better Price!"
If you are looking for a mid range sounding mic for a great price, the MXL V250 is the mic you are looking for. The V250 averages $60-$80 online, but don't get too excited Canadians, you will be hit …
Shure SM58 - " FORMER EXTRA ....."
translatedfor singing, choirs OVERALL OPINION I have one that dates from 1980, bought 3000.00 francs at the time, walking nickel with a grain of hell, no singers / singers do not recognize this famous mine…
Shure SM58 - " Very good for channel"
translatedhttp://fr.audiofanzine.com/microphone-dynamique/shure/sm58-cn/avis/r.127536.html Everything is very clear ^^ OVERALL OPINION Very good equipment, reliable, very good record, good frequency ran…
Samson Technologies BL3 - " It makes the job"
translatedI use it for dynamic microphone (singing on stage) and condenser microphone (sound to repeat). In two cases, I have no particular problem. OVERALL OPINION Bought in December 2012 for € 20. …
Samson Technologies R11 - " Excellent for live ..."
translatedEspecially effective live, especially used for voice. The sound tends to hide the high frequencies it is perfect for the stage. Samson R11 is a hyper cardioid dynamic, robust, which is very resistant…
Audix i5 - " A good alternative to 57"
translatedDynamic microphone to capture mixed (percussion, amps, ...) OVERALL OPINION I use it for 5 years before I used 57. It is an alternative to the latter, I find it best on percussive, less good on t…
Shure SM58 - " THE micro mat"
translatedCardioid Frequency: 50-15000 Hz Impedance: 300 Ohm Sensitivity: -54.5 dBV / Pa (1.88 mV) Isolated body in order to reduce background noise Weight: 298 g Version without on / off switch …
Shure SM58 - " Unsurprisingly"
translatedDifficult to argue that micro present. Dynamic, I always take without switch. The horse on stage. I spend a voice in, sometimes a snare 57 when his brother is not. I also used a flute, which requires…
Shure SM58 - " Versatile Micro"
translatedShure SM58, most effective available. For a studio decision, it has some flaws, particularly on the voice. OVERALL OPINION - Over the past ten years - I tried a microphone to the stage, I went …
Shure SM58 - " Reference"
translatedDynamic microphone singing made for the stage OVERALL OPINION I have over fifteen years, and I used a lot of vocal microphone (E840, E845, D880, Beta 58 ...). it does well in a lot of situations.…
The T.bone MB75 - " Doing a very good job"
translatedSM57 clone, certainly less well on the inside. OVERALL OPINION I use it only to bed my vox ac4 and I am delighted. I had already tried the shure, and I honestly do not see any differences. Fo…
The T.bone SC400 - " Good value for money"
translatedLarge diaphragm mic : Cardioid Frequency response: 20 Hz - 20 kHz Requires 48V phantom power Low-cut filter: 100 Hz Suspension and bag included OVERALL OPINION The sound quality is a pl…
The T.bone RB500 - " for the price ... nothing to say"
translatedTape bidirectional Gain out of the microphone is low (normal on tape), it is important to use a good preamp. OVERALL OPINION It is two years since happiness guitarists groups with which I sho…