Sidechain Compression - A guide to mixing music - Part 37
LearningToday we'll continue unveiling new tricks and tips on compression with an installment dedicated to the sidechain.
Parallel Compression - A guide to mixing music - Part 36
LearningIn this week's chapter, we'll tackle a specific use of compression you have surely heard about before, not least in our series of articles dedicated to mastering. I'm talking about parallel compressi…
Serial Compression - A guide to mixing music - Part 35
LearningNow that we've seen the basic usage of compression when mixing, I'll walk you through a couple of tips and tricks that I'm sure you'll find quite useful. This week we'll look into a technique that mi…
The Opposite of Punchy - A guide to mixing music - Part 34
LearningToday, I invite you to continue exploring the possibilities of dynamics processing at the microdynamic level. After having dealt with "punchy" sounds, we'll use dynamics to go for the opposite — "rou…
Make Your Mix Punchy with Compression - A guide to mixing music - Part 33
LearningAfter looking at some applications of compression at the macrodynamic level in the two previous articles, we'll deal here with microdynamics, starting with how to get a "punchy" sound.
The Right Way to Loudness - A guide to mixing music - Part 32
LearningToday we'll continue our discovery of the use of compression with an application that will surely interest all of you: An increase in loudness.
Add Consistency with Compression - A guide to mixing music - Part 31
LearningIn this episode, we'll concentrate on dynamics processing during mixdown, and we'll see how to use compression to give consistency to your tracks. This usage, in my opinion, is the most important one…
Ratio and Threshold in a Compressor - A guide to mixing music - Part 30
LearningThis week we'll proceed with the final steps of the method to learn about the sonic impact of the main parameters of a compressor. After having seen the attack and release times, now it's the turn of…
Attack and Release in a Compressor - A guide to mixing music - Part 29
LearningIn this installment, I'll show you a way to set a compressor that helps you understand what each parameter does. This method is by no means the ultimate solution, however it ought to help you grasp t…
Panning to the Extremes - LCR panning can make your mixes come alive
LearningConventional mixing wisdom states that when panning elements in a mix, you’re free to utilize the entire left-to-right spectrum. With the exception of elements like kick, snare, bass and lead vocal t…
Understanding Compressor Parameters - A guide to mixing music - Part 28
LearningNow that we've discussed the possible uses for compression, let's take a look at the way a compressor works. To do that, I'll explain to you, in a theoretical way, the different parameters commonly f…
Why We Compress - A guide to mixing music - Part 27
LearningIn this second installment dedicated to dynamics processing during mixdown, we'll take some time to discuss the whys before moving on to the hows.
Dynamics Processing 101 - A guide to mixing music - Part 26
LearningThis week we'll tackle dynamics processing during mixdown, a very thorny subject if there ever was one...To approach the topic in the best way possible, it's useful to begin with a quick rundown of t…
Which Comes First? - A guide to mixing music - Part 25
LearningBefore we tackle the next major section of this series ─ dynamics ─ let's diverge briefly to take stock of where we are in the process, and cover an important issue involving effect-chain order.
EQing Tools of the Trade - A guide to mixing music - Part 24
LearningNow that we have analyzed EQing during mixdown, let's talk a bit about the tools capable of carrying out the task.
