How to use tape machine and mixing console emulators - A guide to mixing music - Part 97
LearningAs promised, this week we'll see how to make the most of tape machine and console-emulating plug-ins.
The whys of using tape machine and console emulators - A guide to mixing music - Part 96
LearningThis week we'll keep on discussing distortion by addressing plug-ins that emulate legendary tape machines and consoles.
How to use harmonic distortion in a mix - A guide to mixing music - Part 95
LearningToday you'll see how to put into practice everything you've learned so far about harmonic distortion.
Getting acquainted with harmonic distortion - A guide to mixing music - Part 94
LearningThis week we'll continue exploring harmonic distortion.
Using Distortion During Mixdown - A guide to mixing music - Part 93
LearningThis time around, we'll focus on distortion.
Using Buses to Make a Mix More Cohesive - A guide to mixing music - Part 92
LearningIn the coming weeks we'll discuss in detail the so-called "glue" effect, in other words how to make the mix more homogeneous using different procedures. Today we'll discuss a simple method to emphasi…
The Relationship Between Reverb and Delay - A guide to mixing music - Part 91
LearningTo close the chapter dedicated to the use of delay during mixdown, we'll look into the relationship between reverb and delay.
Breaking the rules is standard procedure for producer/e… - If It Sounds Good, Do It!
LearningPrince, Tom Petty, System of a Down, Tool, Red Hot Chili Peppers and Sevendust are just some of the artists on producer and engineer Sylvia Massy’s discography. The 30-year studio veteran has never b…
Fill It Up with Delay - A guide to mixing music - Part 90
LearningThis week we'll look into a somewhat particular use of delay ─ as a way of filling up a mix. You certainly won't be able to use this technique every day, but it can come in pretty handy to "dress up"…
Engineer Nathan Hamiel on the art of mastering - The Human Factor
LearningMastering, like mixing, is an art form that requires good musical judgment and entails a great deal of decision-making. Just ask engineer Nathan Hamiel (pronounced “Hamel”), who does both mixing and …
Using Delay to Broaden Your Horizons - A guide to mixing music - Part 89
LearningAfter having explored depth with reverb, we will now move into another topic that is just as important during mixdown: width.
Producer Andrew Wade shares his mixing and guitar-recor… - Studio Tips from The Big Boss
LearningAndrew Wade (aka “The Big Boss”) knows a little something about guitar recording. Wade is a producer/engineer/songwriter who has focused heavily on the pop-punk/Emo genres and has produced music (inc…
Using Delay Instead of Reverb - A guide to mixing music - Part 88
LearningIn this installment, I'll show you how to use delay instead of reverb to reinforce the sonic cohesion of your mix.
An interview with producer Michael Beinhorn - Unlocking Expressivity
Interview / PodcastProducer, musician, artist, painter… Our guest today is someone who has always been looking for a way to let Art be expressed in every piece of music he has worked on. Primarily known and renown for …
Slapback and Doubling with Delay - A guide to mixing music - Part 87
LearningThis time around, we'll look at two "classic" uses of the delay effect.
Multitalented producer Greg Wells talks about his craft… - Producing for the Art of It
LearningAlthough he spent most of his childhood playing and studying music, it wasn’t until Greg Wells was 18 that he got bitten by the recording bug. “I got my parents to co-sign a loan, and I bought a Mac …
The Last Note - Recording a clean ending is not as simple as it may seem
LearningWhen recording an ensemble or just overdubbing one instrument, there's one part of the song that gets very little attention: right after the very last chord or note has been struck. Especially if the…
The Use of Delay - A guide to mixing music - Part 86
LearningAfter closing the chapter dedicated to the use of reverb during mixdown, we will now focus on a relatively similar topic: delay.
We interview the author of “The Great British Recording… - The Golden Age of British Recording
Interview / PodcastIn the early 1960s, at the beginning of the British Invasion, the studio scene in England was thriving, but the British studios used different gear and got a very different sound than their U.S. coun…
Reverb Tools of the Trade - A guide to mixing music - Part 85
LearningToday we'll close the chapter on reverb with one last suggestion and a short list of plug-ins I personally like to use when working with sound spaces.
Lateral Movement with Reverb - A guide to mixing music - Part 84
LearningThis week we'll discuss a swaying technique which will allow you to easily create the illusion of lateral movement using reverb exclusively.
Responsive Reverb - A guide to mixing music - Part 83
LearningSo far we have reviewed quite extensively the "classic" uses of reverb during mixdown, but I would now like to invite you to discover more exotic applications in the next couple of articles. These ar…
We interview the author of "Beatles Gear: The Ultimate … - Fab Four Gear!
Interview / PodcastDid you know that John Lennon’s first guitar was a Gallotone Champion acoustic that he ordered from a catalog, or that George Harrison played a Framus Hootenanny 12-string on “Help," or that Ringo st…
Unreal Soundscapes - A guide to mixing music - Part 82
LearningLast time, we saw how to recreate a realistic sound space with the three last buses of the setup I suggested to use when working with reverb. This week we'll address the concept of depth in a sound s…
How to Adjust Depth with Reverb - A guide to mixing music - Part 81
LearningIn this new episode, I'll show you how to recreate a realistic sound space with the last three buses of the reverb setup we've been using in the last couple of weeks.
