Lateral Movement with Reverb - A guide to mixing music - Part 84
LearningThis week we'll discuss a swaying technique which will allow you to easily create the illusion of lateral movement using reverb exclusively.
Responsive Reverb - A guide to mixing music - Part 83
LearningSo far we have reviewed quite extensively the "classic" uses of reverb during mixdown, but I would now like to invite you to discover more exotic applications in the next couple of articles. These ar…
We interview the author of "Beatles Gear: The Ultimate … - Fab Four Gear!
Interview / PodcastDid you know that John Lennon’s first guitar was a Gallotone Champion acoustic that he ordered from a catalog, or that George Harrison played a Framus Hootenanny 12-string on “Help," or that Ringo st…
Unreal Soundscapes - A guide to mixing music - Part 82
LearningLast time, we saw how to recreate a realistic sound space with the three last buses of the setup I suggested to use when working with reverb. This week we'll address the concept of depth in a sound s…
How to Adjust Depth with Reverb - A guide to mixing music - Part 81
LearningIn this new episode, I'll show you how to recreate a realistic sound space with the last three buses of the reverb setup we've been using in the last couple of weeks.
Glue It Down with Reverb - A guide to mixing music - Part 80
LearningToday I'll focus on the sixth bus of my personal reverb mixing setup. As I told you before, this bus is aimed at producing the so-called "glue" effect. In other words, the more or less signal you sen…
How to Know When Your Mix is Finished - 5 questions to ask yourself to determine if your mix is ready to go
LearningTop mix engineers will tell you that they instinctively know when they're finished with a mix. But for those of us who haven’t reached that level yet, it’s usually hard to have that kind of certainty…
Choosing Reverb Sounds - A guide to mixing music - Part 79
LearningToday we'll follow up on the previous article by discussing the presets for five of the nine reverb buses of the template I proposed.
Getting Down to Work with Reverb - A guide to mixing music - Part 78
LearningWe have been discussing reverb for quite some time now, although in a more or less theoretical way. I know it can get a bit frustrating but, trust me, it was necessary. Now that we are done with all …
The Importance of Contrast in a Mix - A guide to mixing music - Part 77
LearningToday I'll close the brief parenthesis I opened last week. And I'll do that tackling a notion that is crucial when it comes to mixing, namely...
Of Width and Depth - A guide to mixing music - Part 76
LearningI feel a bit compelled to add a brief parenthesis after what I wrote at the end of the previous article. So, in the next couple of articles I will not limit myself to working with space but rather to…
More About Compressing Reverb - A guide to mixing music - Part 75
LearningToday we'll continue exploring the use of reverb and dynamics processing by looking at post-reverb compression.
A/B Your Plug-Ins - Head-to-head comparisons of similar plug-ins will help you decide which one to use when
LearningBetween the plug-ins in your DAW, and others you may have purchased, you’re likely to have some duplicate functionality; that is, more than one reverb, compressor, EQ, etc. But when you choose to use…
Producer/engineer/songwriter Joe West’s fearless approa… - Never Say Never!
LearningJoe West has never been afraid to take on a project, even early in his career when he didn’t always have the requisite experience. “If you turn a gig down,” he says, “you end up in a situation where …
Reverb Meets Compression - A guide to mixing music - Part 74
LearningToday we'll see how to make reverb and compression work together. At first sight it might seem weird to want to compress a reverb. And yet a compressor placed before or after the reverb can prove qui…
