Guitar Pro 6 Review - And the Tab Goes On…
Written testGuitar Pro started out as a small tab editor but, as time went by, it soon became an indispensable software for guitar and bass players alike. Now, with the sixth version out, Guitar Pro could actua…
Presonus Studio One Software Review - Presonus Studio One: Crystal Studio
Written testFed up with Cubase? Sick of Logic? Bored by Sonar? PreSonus will take back your software in exchange for Studio One. But, is it really worth it?
Native Instruments Guitar Rig 4 Review - Guitar Rig 4 Bends Over Backwards 4 U
Written testNative Instruments' virtual guitar and bass amp comes back for the fourth time with more amp simulations and effects than ever before and a very promising control room section... New functions in an …
Spectrasonics Trilian Software Review - Trilogy is Dead: Long Live Trilian!
Written testSpectrasonics has been living a love story with bass guitars for sixteen years. A long time before Omnisphere, Stylus and the famous Distorted Reality, one of the first products developed by Eric Per…
Celemony Melodyne Editor Review - Melodyne Blew Me Away
Written testEver since the creation of the first DAW, no other software has caused so much ink to be spilled and generated such expectations. The Direct Note Access technology, which was introduced by Celemony a…
EQ and Compression Techniques Pt.2: Drums - EQ and Compression Techniques Pt.2: Drums
LearningDespite the preponderance of exceptional drum samples and loops on the market, for certain genres of music (notably country and rock) there is no substitute for a great session drummer playing on a w…
Introduction - Spectrasonics Omnisphere: Omnipotent & Omnificent ?
Written testAfter many years of development, Spectrasonics has released their new flagship virtual instrument, Omnisphere, which has been heralded as a completely new ground-breaking hybrid virtual instrument in…
Introduction - Steinberg Cubase 5: Take Five
Written testCubase, one of the titans of the sequencer pantheon, has come out with an attractive looking 5th version, at a time when the sequencer wars are raging more than ever. Let's take a look...
Waves Tony Maserati Collection: The Test - Waves & Maserati - All Revved Up and Ready to Go!...
Written testThe Tony Maserati collection represents a meeting of industry titans. Waves, one of the earliest and most enduring audio plug-ins companies, has made its reputation on quality bundles of their own pl…
Ableton Live 8: The Test - Live 8: Long Live Ableton
Written testAbleton's Live has been with us for some time now and since it’s initial release in 2001 it has proudly sported a simple one window interface and transparent ’no frills’ operation. This simplicity…
Universal Audio - Moog Multimode Filter: The Test - Moog Multimode Filter: Mojo Filter
Written testWhile there is a huge choice of filter effects available on the market today, it could be argued that many of them lack the character and warmth of some of their hardware counterparts and while so…
Sonic Charge Synplant: The Test - The Secret Sound of Plants
Written testSince the dawn of synthesizers, there have been many types of synthesis to emerge. But the same can not be said about their approaches to work flow or interfaces. With Synplant, Sonic Charge has take…
Digidesign Transfuser: The Test - Sample Transfusion
Written testA.I.R., Digidesign’s virtual instrument division, continues to provide creative tools for users of their Pro Tools software. This time, it’s a sequencer within a sequencer, dedicated to loops of all…
Pro Tools 8: The Test - The Return of the King?
Written testThe new Pro Tools has arrived armed with a bunch of new features: Elastic Pitch, thirty new plugins, five new virtual instruments - Boom (drum machine), Mini Grand (piano), DB-33 (tonewheel organ), V…
Peak Pro 6 XT: The Test - BIAS at their Peak
Written testThough there are many audio editors for PC, the Mac world looks mainly to DSP Quattro, soundBlade, Audacity, WaveBurner or Peak (a non-exhaustive list), whose features range from "very basic" to "ver…
