Threads created by newjazz
- SOUND SYNTHESIS & SOUND DESIGN (30 episodes)
- MUSIC THEORY - ultimate guide (68 episodes)
- Synthetic scales from tetrachords of altered modes - Part 3
- Synthetic scales from tetrachords of altered modes - Part 2
- Synthetic scales from tetrachords of altered modes - Part 1
- Synthetic scales from natural modes
- Synthetic scales
- Harmony Basics - Part 63
- Harmony Basics - Part 62
- The modes of the melodic minor system
- The return of the return of the pedal
- Altered modes, the specific case of the half-diminished scale
- Altered modes, the specific case of the Bartok scale
- Altered modes, the specific case of the altered scale
- Introducing altered modes
- Pedal and ostinato in the modal system
- Modal cadences 2
- Modal cadences 1
- Harmonic rules for the Aeolian and Locrian modes
- Harmonic rules for the Phrygian, Lydian and Mixolydian modes
- Harmonic rules for the Ionian and Dorian modes
- Harmony Basics - Part 49
- Characteristic notes in the modal system
- Historical and philosophical perspectives on modes
- Introduction to modes and modal harmony
- Voicings for piano (end)
- Voicings for piano (continued)
- Left-hand voicings for piano
- Voicings and cadences - Follow-up and end
- Voicings and cadences - Second-to-last installment
- Voicings and cadences - Follow-up
- Voicings and cadences
- Parallel voices
- Drop voicings
- Voice movement in voice-leading
- Voicings, important notes and notes to avoid
- Voicings for the II V I pogression
- Voicings and added-tone chords
- Open position chords
- My first voice leading
- Introduction to voice leading and voicings
- The pedal point and the sus4 chord
- Harmonic anticipation and appoggiatura
- Harmonic suspension
- Indirect resolutions
- Forced motions and resolutions
- Context and first resolution
- Consonance and Dissonance
- EarMaster ApS Earmaster 6 Review
- Melodic and harmonic motion
- Enharmonic Modulations
- Modulating to neighbor, distant and chromatic keys
- Using II-V-I and pivot chords
- The Role of Cadence and Characteristic Notes in Modulation
- Modulate It!
- Relative Chord and Tonal Exchange Substitutions
- Tritone Substitution and Secondary Dominants
- Chord Substitutions
- More Chord Progressions
- Chord Progressions
- Leading the Way
- Harmonic Rhythm
- Stable and Unstable Chords
- Chord Tones and Non-Chord Tones
- The Perfect Cadence...and More
- The Other Degrees of a Major Scale and the Minor Mode
- Introduction to Degrees
- How to Build Chords
- How To Tell the Key of a Song
- Major and Minor Modes
- All You Need to Know About Sound Synthesis
- The Trautonium and the Theremin
- The Ondes Martenot and the Ondioline
- Stochastic and Graphic Synthesis
- Formant and Linear Arithmetic Synthesis
- Pulsar and Phase Distortion Synthesis
- Applications of Physical Modeling Synthesis
- Physical Modeling Synthesis
- The Frequency Spectrum in FM Synthesis
- Frequency Modulation or FM Synthesis
- The Different Forms of Granular Synthesis
- An introduction to Granular Synthesis
- Sampling: Wavetables
- Sample-Based Synthesis ─ Bit by Bit
- Additive Synthesis ─ Give me more!
- Subtractive Synthesis: Straight to the point
- More Basic Synth Effects
- Synth Effects
- Understanding MIDI Modes and Messages
- Introduction to the MIDI standard
- Polyphony, Paraphony and Multitimbrality
- A Mono/Poly Game
- Send It in an Envelope
- Filter It Out!
- Sound synthesis, sound design and audio processing - Part 6
- Make Some Noise!
- In Search of the Perfect Wave
- Sound Synthesis, Sound Design and Audio Processing - Part 3
- Wave's Anatomy
- Native Instruments Maschine Studio and Maschine 2.0 Review
- Boss Loop Station RC505 Review